[ VOLVER AL ORIGEN ]

1. TypeMachine

Mechanical patterns: visual explorations created with a typewriter, where the rhythm of signs and lines reveals a minimal choreography of repetition, pause, and typographic variation. Physical works, unique pieces on mate paper 120 gr.

Scanned without mediation, these pieces appear in their rawest state: the surface as the immediate archive of a physical encounter between machine, paper, and body.

Minted as 1/1 editions -with a few in open edition- they preserve the singularity of the repeated mark, underscoring that within repetition there is never absolute uniformity, but rather infinite variations. TypeMachine #9.

This collection original papers were burned in the fires of summer 2026.

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2. Flickering TypeMachine (Ongoing Evolution)

Like an analog-digital development, each take becomes a dance between human, pattern, writer machine, and the glitch in the act of scanning. Fragility of transmission, the materiality of error, and recording devices as expressive tools.

This serie revisits the original papers through a new process of digitization.

A scanner as a portal, with movement and light, on patterns from Type Machine Serie. A research of patterns as visual narratives of the fragility of error in touchable formats: light in motion and the physical manipulation of the scan generate unrepeatable distortions.

Digitization itself becomes a central part of the work-a bridge of flows between body, machine, and light-where the tactile and the intangible coexist on the same plane.

The endless movement /////////////////////(of life) proposes that motion has to do - more related //to flow in a bridge between human and machine.

Format: write machine and scanner

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3. Generative TypeMachine

The third series imagines a typewriter beyond its mechanical limits, transformed through a generative AI engine trained with the images from the previous two bodies of work.

Here, repetition is not only a gesture of the hand or a distortion of light, but also an algorithmic process that reinvents itself endlessly.

The machine hallucinates characters that never existed, weaving textures of light and matter as if they belonged to a forgotten alphabet. In this dialogue between the analog trace, the digital glitch, and artificial interpretation, a new sensibility emerges-where repetition becomes a method of digital translation, between human memory and machinic imagination.

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